The Little Art Colony and Us Modernism: Carmel, Provincetown, Taos

Explores the little art communities and their aesthetic products in the early twentieth century
Historicizes and theorizes the role and function of the little art community as a geo-social formationComparative, place-based study of three semiperipheral (non-metropolitan) sites New readings of major authors Jeffers, O'Neill, and LawrenceInterdisciplinary methodology based in primary source analysisChallenges a center-periphery model of modernist activity and literary-aesthetic production and instead emphasizes a network-based, collaborative model

This book is first to historicise and theorise the significance of the early twentieth-century little art colony as a uniquely modern social formation within a global network of modernist activity and production. Alongside a historical overview of the emergence of three critical sites of modernist activity - the little art colonies of Carmel, Provincetown and Taos - the book offers new critical readings of major authors associated with those places: Robinson Jeffers, Eugene O'Neill and D. H. Lawrence. Geneva M. Gano tracks the radical thought and aesthetic innovation that emerged from these villages, revealing a surprisingly dynamic circulation of persons, objects and ideas between the country and the city and producing modernisms that were cosmopolitan in character yet also site-specific.

Author: Geneva M. Gano
Binding Type: Paperback
Publisher: Edinburgh University Press
Published: 05/30/2022
Series: Modern American Literature and the New Twentieth Century
Pages: 320
Weight: 0.8lbs
Size: 8.50h x 5.50w x 0.65d
ISBN: 9781474439763